![Okay, cool. Finally a post the way I intended from the beginning.
A search for reference pictures for: fox kits > fox babies > Inuit fox art > what followed:
Drawn and Quarterly Bookstore had a post linking that particular photo by William Wegman, but the link was broken. (that copy found on Style Me to the Moon.) A quick scroll down to
a little feature about art duo Tin Can Forest.
Today I saw District 9 for the first time (image from the Guardian)—totally engrossing. I very much liked the documentary treatment in the first quarter or so, and though the style transition was a little muddled I didn’t really care (it wouldn’t have led anywhere story-wise but I really wanted to see more of the dystopian Johannesburg as far as urban/institutional design, e.g., the sheet targets, the person symbols [see: Walking Men Worldwide]).
I think I have come to appreciate breaking-the-fourth-wall gore on the camera lens. For the record, I didn’t particularly enjoy it in Children of Men. (I know I’m a sucker.) Potentially inversely related: I am listening right now to Die Antwoord. Times change, people change.](http://24.media.tumblr.com/tumblr_largjsseoU1qaw3t4o1_500.jpg "Okay, cool. Finally a post the way I intended from the beginning.
A search for reference pictures for: fox kits > fox babies > Inuit fox art > what followed:
Drawn and Quarterly Bookstore had a post linking that particular photo by William Wegman, but the link was broken. (that copy found on Style Me to the Moon.) A quick scroll down to
a little feature about art duo Tin Can Forest.
Today I saw District 9 for the first time (image from the Guardian)—totally engrossing. I very much liked the documentary treatment in the first quarter or so, and though the style transition was a little muddled I didn’t really care (it wouldn’t have led anywhere story-wise but I really wanted to see more of the dystopian Johannesburg as far as urban/institutional design, e.g., the sheet targets, the person symbols [see: Walking Men Worldwide]).
I think I have come to appreciate breaking-the-fourth-wall gore on the camera lens. For the record, I didn’t particularly enjoy it in Children of Men. (I know I’m a sucker.) Potentially inversely related: I am listening right now to Die Antwoord. Times change, people change.")
Okay, cool. Finally a post the way I intended from the beginning.
A search for reference pictures for: fox kits > fox babies > Inuit fox art > what followed:
Drawn and Quarterly Bookstore had a post linking that particular photo by William Wegman, but the link was broken. (that copy found on Style Me to the Moon.) A quick scroll down to
a little feature about art duo Tin Can Forest.
Today I saw District 9 for the first time (image from the Guardian)—totally engrossing. I very much liked the documentary treatment in the first quarter or so, and though the style transition was a little muddled I didn’t really care (it wouldn’t have led anywhere story-wise but I really wanted to see more of the dystopian Johannesburg as far as urban/institutional design, e.g., the sheet targets, the person symbols [see: Walking Men Worldwide]).
I think I have come to appreciate breaking-the-fourth-wall gore on the camera lens. For the record, I didn’t particularly enjoy it in Children of Men. (I know I’m a sucker.) Potentially inversely related: I am listening right now to Die Antwoord. Times change, people change.
